Thursday, January 26, 2023

Netflix: The Academy Murders stars a young Edgar Allan Poe as an investigator of gruesome murders in 19th-century New York

crimes of the academy ,the pale blue eyeUSA/2022). Script and Direction: Scott Cooper. photography: Masanobu Takayanagi music: Howard Shore. the version: Dylan Tichenor. List: Christian Bale, Harry Melling, Lucy Boynton, Gillian Anderson, Toby Jones, Timothy Spall, Charlotte Gainsbourg, Simon McBurney, Robert Duvall. available in: Netflix. Our idea: Buena.

In June 1830, five months after his 21st birthday, Edgar Allan Poe passed the entrance exam for West Point Military Academy in New York State. He already had some military experience, having enlisted in the army as a private three years earlier to certainly avoid misery.

Now, as Julio Cortázar points out in the fascinating account of Poe’s life that precedes the Spanish edition of his complete stories (which were translated by the Argentine author himself), the choice was iron: follow a military career or starve. die from From the sad and languid air that Poe radiates, especially with his eyes, in those troubled times emerges the original title of Scott Cooper’s new film, A Cadet. the pale blue eye ,pale blue eye), which in its Spanish version, first literary and now cinematographic, becomes more direct and impersonal crimes of the academy,

Parivartan takes us straight into the world of the events of Blood and what it takes to investigate and explain them while distancing itself from something more important (issues that are a pivotal part of the plot), which is a good piece of the filmmaker’s work. Walks through the stakes: an inquiry into the behavior of human beings tormented by inner demons that seem to have taken over.

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Since he began directing in 2009 (his first feature was the excellent Crazy heart, with Jeff Bridges), Cooper was gaining enough recognition to push the boundaries more and more with each of his new productions. But his cinema, which was initially fairly classic in terms of narrative and staging, became increasingly static, overarching and even dangerously close to a certain seriousness in later works.

However, the director has his right hand at wrapping his stories in a visual atmosphere full of magnetism and disturbing suggestion. In this case, with the invaluable help of the great cinematographer Masanobu Takayanagi, it takes us to the cold New York winter of 1830 and investigates a series of gruesome deaths (with ritual practice and organ removal, among other confusing details) at the Military Institute Within, a task assigned to a former police officer named Augustus London (Christian Bale, far from his usual tendency to exaggerate), a man recently traumatized by the death of his wife and the disappearance of his daughter. Went.

London’s inquisitors, clashing with the suspicions of the Academy’s watchful officers (Timothy Spall and Simon McBurney, completely in vain), find an unlikely ally in the young Poe, whose lack of business for military affairs is finding and solving clues. A striking is the opposite of skill. Some tricky puzzles. In search of an explanation, two other circumstantial accomplices are briefly involved: the manager of the local tavern, at the same time a lover of London, and a very experienced expert in witchcraft, played by Charlotte Gainsbourg and Robert Duvall in another veritable trash. Gone role acting talent.

Cooper spends the spare time all these great supporting players are given to London’s interrogation and the growth of a connection with Poe based on growing mutual trust, youthful powers of deduction, and more than one intellectual coinciding. In that youth, the future writer who dreams of publishing his poems will be dazzled to find a book by his admired Byron in the library of the ex-policeman’s house.

Harry Melling is the personification of young Edgar Allan Poe netflix

In a much more subtle way, Cooper also coaxes the emotional side between the two characters, in both cases clashing with unrequited passion and almost always near death experiences. Playing strong in this dimension is the military academy doctor (Toby Jones) and his relatives, with a celebration of overacting by Gillian Anderson.

The narration is based on this dual and painful portrait of two people who need each other to fulfill a duty, who at the same time will not be able to ease all the inner pain that they have accumulated. . Dudley Dursley (remembered from the films of Harry Mailing) harry potter), Poe acquires a fair share of the troubling traits in cinema with which he was always identified and among them he maintains a dialectical play with Bell’s London in which the formal tone of the story is disguised in its second half. There is ample appeal for

This conflict is even more visible in the film which has two endings. The first relies heavily on the power of the image and evokes the best of Cooper from the outset. The second is an ornate display of theatrical eloquence and endless eloquence, typical of the director’s uncertain reality.

Conocé Trust Project
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